Theatrical discourse between aesthetics and criticism

Abstract

This article aims to study theatrical discourse by examining the elements on which it relies in the process of realizing its artistic function from the angle of the formation of its own style, where it sorts its thematic data on the basis of the identity of the message it seeks to achieve in the process of communicating with actors and recipients at different levels and locations, since the process of forming this discourse requires the highlighting of its structural, technical and aesthetic components.