Forum de l'enseignant

Abdelmadjid Hanoun pilier de la littérature générale et comparée

2026-01-05T11:39:42+00:00

The article highlights Dr. Abdelmadjid Hanoun’s pioneering role in shaping general
and comparative literature studies in Algeria through his scholarship and institutional initiatives.
It employs a descriptive-analytical approach to examine his major works, research projects, and the academic structures he helped establish.
The core questions focus on the nature of his distinction and the extent of his influence in introducing myth, mythocriticism, and paraliterature into Algerian university research.
It also interrogates the specific features of his methodological orientation, especially his shift between historical, thematic, and mythocritical approaches.

Vers l'exploitation de la théorie de la grammaire fonctionnelle dans l'enseignement de la langue arabe et son impact sur un enseignement supérieur de qualité

2026-01-05T19:18:41+00:00

The study aims to develop a scientific vision for renewing the teaching of Arabic in qualitative higher education by investing functional grammar and insights from contemporary linguistics.
It adopts a descriptive-analytical approach that critically revisits the grammatical and linguistic heritage, presents the foundations of Ahmed Al-Mutawakkil’s functional grammar, and applies them to coordination phenomena.

The central question concerns how far modern linguistic theories, especially functional grammar, can help overcome difficulties in teaching Arabic grammar to native university students.

The article asks how Arabic language curricula at university can integrate functional grammar and how Arabic grammar can be updated to meet the requirements of a modern functional approach and enhance communicative competence.

Une réévaluation de l'approche fonctionnelle de Propp dans la narratologie contemporaine

2026-01-06T08:11:53+00:00

The study aims to highlight the updating of Propp's functional model in contemporary narratology and its limits in literary, anthropological, and audiovisual studies.

It employs a descriptive-critical analytical approach, presenting Propp's functions and character roles precisely, then discussing key objections and modifications by Bremond and followers.

The core issue revolves around modern studies' awareness of the distinction between functionality as a principle and mechanically replicating Propp's 31 functions.

It questions the methodological conditions for applying Propp's model to diverse narratives (folktales, novels, films, series) without falling into mechanical matching or ignoring each medium's specificity.

Les figurations du genre dans la pensée de Rajaa Ben Salama

2026-01-06T08:23:46+00:00

The study aims to trace gender representations in the writings of Tunisian critic Raja Ben Salama, particularly in her book "The Structure of Virility," to expose the patriarchal institution's perpetuation of male superiority through heritage discourses.

It employs a critical-analytical approach, reading Ben Salama's texts from the Arab corpus (jurisprudence, poetry, criticism), drawing on deconstruction and psychoanalysis.

Central questions address how the masculine/feminine binary is culturally constructed, the existence of a "third gender" in heritage, and writing's role in resisting male hegemony.

It also examines the limits of the "Bayān" system as a phallocentric structure that erases feminine difference and imposes virility in poetic and intellectual discourse.

L'exploitation de l'évaluation alternative dans le développement de l'expression orale des apprenants de langues : approches et modèles novateurs

2026-01-06T13:10:17+00:00

The study aims to assess the effectiveness of prevailing language tests in measuring speaking skills and propose alternative evaluation models to develop communicative competence among language learners.

It employs a descriptive-statistical methodology, analyzing skill distribution in traditional tests and comparing it with modern communicative and contextual approaches.

Central questions address the limitations of quantitative evaluation in assessing oral creativity and how alternative tools (presentations, interviews, portfolios) can enhance communicative proficiency.

It also examines shifting from final summative assessment to continuous models that account for psychological and discursive components of speaking skills.

Les esthétiques du façonnage artistique dans l'œuvre poétique de Nasseriya Baghdadi Al-Arji

2026-01-06T13:19:25+00:00

Stylistic studies are the best way for critics to help them clarify the value of a literary text, as they depend on their application on specific scientific rules. In order to be able to monitor the aesthetics of artistic formation in the texts of the poet "Nasiriyah Baghdadi Al-Arji," we have invested in stylistic procedural tools because her poetic texts have many methods of expression and depiction, and their stylistic and linguistic phenomena have multiplied. In this approach, we aspire to reveal the aesthetics of artistic formation in the poet, and what is its aesthetic and semantic impact on the reader?

Description et hybridation du genre dans le roman algérien contemporain : étude de cas « Les Doigts de Lolita » de Waciny Laredj

2026-01-06T13:53:01+00:00

The study aims to uncover descriptive mechanisms in Waciny Laredj's novel "The Fingers of Lolita" as channels for hybridizing the novelistic genre with poetry, painting, and cinema, constructing a polyphonic narrative universe.

It employs a descriptive-analytical methodology, tracing descriptive borrowings from poetry (rhythm, metaphor), painting (light/shadow), and cinema (shot, framing).

Central questions address description's position within the novelistic text and how it appropriates poetry's rhetorical tools and painting's pictorial techniques to represent worlds and characters.

It also examines cinema techniques' exploitation in focalization and effects to achieve experimentation and divergence from traditional novelistic forms.

La sémiotique des codes culturels dans le récit de « Umm Zar » : entre étrangeté linguistique et mise en question du paradigme

2026-01-06T20:00:55+00:00

This study is based on exploring the cultural patterns implicit in the text of Hadith Umm Zar’ by examining the semantic predicates hidden behind the ambiguous words that formed the dictionary of this hadith by subjecting its structure to systematic questioning, that will inevitably expose its stylistic implications and cultural hidden things. Relying on the semiotic approach, we extrapolate the methods of operation of the system within the atypical pronunciation, which was a distinctive linguistic sign in this interesting hadith.

Exemples des visées poétiques chez les populations kantiennes du Sahara : Fierté, louange et invective

2026-01-06T20:11:28+00:00

This article examines the main purposes of poetry among the Kunta tribe in the Sahara Desert, particularly the purposes of pride, praise, and satire. The research aims to highlight the cultural and literary role of the Kunta poets in the region and to showcase their literary contributions in enriching the local linguistic and literary scene. The researcher relied on the descriptive-analytical method by collecting poetic samples and analyzing their contents and connotations, with reference to historical and literary sources about the tribe and its poets. Among the most prominent research questions: How did the cultural and religious role of the Kintis reflect in the themes of their poetry? And what are the specific characteristics that marked their poetry within the themes of pride, praise, and satire? He also inquires about the specificity of these themes in the African desert context compared to classical Arabic poetry.

La théorie de la réception dans la critique arabe : d'une assimilation théorique à une pratique conditionnelle

2026-01-06T20:22:29+00:00

The study interrogates the embodiment of Reception Theory within Arab criticism, tracing translation contexts, localization mechanisms, and adaptation to local culture.

It employs a historical-analytical methodology, tracking interactions by critics such as Nasr Hamid Abu Zayd, Mohammed Meftah, and Bushra Moussa Saleh with concepts like the "implied reader" and "horizon of expectation”.

Central questions address how Arab critics assimilated Western Reception Theory and applied it within an interpretive environment favoring guided reading.

It also examines application limits in a context constraining reader freedom through pre-established religious and cultural references.

- L'intégration du dimensionnel artistique et cognitif dans « Le Diable raconte » d'Ahmed Khaled Mostafa : une approche interdisciplinaire

2026-01-06T20:31:46+00:00

This research paper aims to explore the artistic and cognitive integration in the contemporary novel through the novel “The Devil Speaks” by Ahmed Khaled Mustafa through a set of aesthetic elements, and to clarify their cognitive significance represented in the title thresholds, the cover painting, as well as the drawings and introduction, Focusing then on the cognitive fields embedded in the narrative text, such as scientific knowledge, psychology, sociology, and metaphysics, we seek to demonstrate the interconnectedness of a number of these fields, known as Interdisplinarity, within a new narrative structure that creates a cognitive reader and gives the novel effectiveness and continuity.

L'analyse psychanalytique chez George Tarabichi dans son livre Les intellectuels arabes et l'héritage : Psychanalyse d'une névrose collective

2026-01-06T20:45:53+00:00

The study analyzes George Tarabishi's deployment of psychoanalytic concepts (collective neurosis, regression, psychosis) in "Arab Intellectuals and Heritage" to deconstruct post-1967 Arab intelligentsia discourse.

It employs a critical-analytical methodology, comparing Freudian /Jungian frameworks with their Arab applications, while identifying issues of overgeneralization and conceptual conflation.

Central questions probe the accuracy of "collective neurosis" versus Jung's "collective unconscious," and the suitability of "regression" for describing Nahda discourse.

It also examines distinctions between neurosis (id repression) and psychosis (reality withdrawal) in Tarabishi's readings of thinkers like Qasim Amin and Hassan Hanafi.

L'imagination en tant que mécanisme dialogique dans la philosophie islamique : Al-Fârâbî, Avicenne, Averroès

2026-01-06T20:57:53+00:00

The study interrogates the presence of imagination as a dialogic mechanism in the philosophy of Al-Farabi, Ibn Sina, and Ibn Rushd, constructing discourse that integrates knowledge and persuasion.

It employs a comparative analytical methodology, tracing the structure and functions of imagination in their texts (The Virtuous City, Hayy ibn Yaqzan, Fasl al-Maqal).

Central questions address how imagination engages the masses through sensory images and elites through symbols, bridging the gap between demonstration and rhetoric.

It also examines its role in cognitive communication between reason and imagination, philosophy and revelation.

La mise en récit de l'identité dans la littérature palestinienne de la résistance – Le roman Adieu au crépuscule de Fathiya Mahmoud Al-Bate'

2026-01-06T21:08:33+00:00

The study analyzes the narration of Palestinian identity in Fathiyya Mahmoud Al-Bate's novel "Farewell to the Authentic" as a model of resistance literature.

It employs a semiotic-analytical methodology, tracing narrative structures and characters (Walid, Shukri Bey) alongside binaries (resistance/betrayal, identity /alienation).

Central questions address mechanisms of identity formation through language and heritage amid occupation, and narrative's role in documenting the uprising (1936-1947).

It also examines the novel's interplay with Palestinian history and culture to enhance humanistic and national dimensions.

Les manifestations du mythe de Faust dans le théâtre arabe

2026-01-06T21:15:10+00:00

The study illuminates manifestations of the Faust myth in Arab theater, particularly in Tawfiq al-Hakim and Ali Ahmed Bakthir, charting their divergent inspirations and appropriations.

It employs a comparative literary methodology, tracing the myth's evolution from Marlowe to Goethe, then its transformation in "Towards a Better Life" and "The New Faust."

Central questions probe the myth's nature and Western development, alongside Arab writers' reception and adaptation to Islamic culture.

It also examines acculturation mechanisms between symbolic creativity (al-Hakim) and traditionalism (Bakthir).

Une existence au goût de la mort : le cri du roman palestinien sous le ciel de la douleur.

2026-01-06T21:27:49+00:00

The study analyzes the paradox of "life tasting of death" in the Palestinian novel as an existential experience reflecting steadfastness under occupation.

It employs a critical-analytical methodology, tracing manifestations of death (physical/symbolic) and life (resistance/perseverance) in novels by Kanafani, Sahar Khalifeh, and Ibrahim Nasrallah.
Central questions address depictions of death in its forms, narrative mechanisms reinforcing life as resistance, and their dialectical interplay in plot construction.

It also examines psychological and social impacts via symbols (olive tree, key, child).

La langue arabe et l'identité : l'incarnation de la conscience nationale dans la poésie arabe moderne

2026-01-06T21:36:12+00:00

he study highlights the Arabic language's role in shaping pan-Arab consciousness, tracing its representations in modern Arabic poetry.

It employs a theoretical-applied analytical methodology, reviewing nationalist thinkers' views and manifestations in poetry by Hafiz Ibrahim, al-Shawqi, al-Barudi, and al-Yaziji.

Central questions address language's contribution to national identity formation and intellectual trends between Arab unity and regional nationalisms.

It also emphasizes poetry's role in glorifying language as a symbol of unity and renaissance.

La rhétorique de l’appel dans le Coran : la sourate Al-Anfâl comme étude de cas

2026-01-06T21:43:23+00:00

The research addresses the topic of the call in Surat Al-Anfal, focusing on the rhetorical and semantic purposes that these calls carry and their role in formulating the Qur'anic discourse directed to believers. The research is based on the descriptive analytical approach to study the forms of call and the places where they appear in the surah, taking into account the historical and linguistic contexts surrounding them. Among the fundamental questions that the research seeks to answer: What are the different types of calls used in the surah? What educational and legislative dimensions do these calls contribute to? How does the appeal formula enhance the construction of divine discourse intended for those charged?

Les études culturelles : comprendre la culture et le pouvoir dans les sociétés modernes

2026-01-07T07:07:30+00:00

This article endeavours to address key questions by engaging with conceptual tools that allow for a critical re-examination of culture moving beyond mere description toward analytical and reflective inquiry. It seeks to illuminate new perspectives for interpreting cultural reality that transcend the traditional dichotomy between heritage and modernity. Central to this discussion is the exploration of how concepts such as power, representation, hegemony, and identity intersect in shaping everyday cultural discourses. The study also interrogates whether culture can be understood solely as a social construct, or whether, in essence, it operates as an instrument of political and social hegemony and influence.

Les besoins littéraires de l’enfant (le récit) durant l’enfance

2026-01-07T07:16:11+00:00

The study elucidates the child's literary needs (storytelling) during childhood stages to shape personality and prepare for future development.

It employs a descriptive-analytical methodology, tracing childhood phases (prenatal, nursing, early, middle, late, adolescence) and their characteristics.

Central questions address childhood stages and traits, alongside optimal story types for cognitive and psychological growth per phase.

It highlights storytelling's role in psychological and moral education via fables, fantasy, and historical narratives.

La poétique de la condensation dans le recueil de très courtes nouvelles « Hypatia » de Meryem Baghbagh

2026-01-07T07:22:56+00:00

This study aims to examine the poetics of reduction in the very short short story collection Hypatia by Maryam Baghbigh, focusing on its interaction with prose poetry techniques. The research adopts some mechanisms of the semiotic approach

, drawing on literary criticism to outline the developmental stages of this genre. It raises questions about how the very short short story dismantles traditional narrative structures and benefits from poetic devices of condensation and suggestion. The paper also discusses the concept of the “Aqsooda” as a hybrid form between narrative and poetry. It concludes by highlighting the sensitivity of this form and the challenges in mastering it due to its generic interweaving.

. La dimension dialogique du discours satirique dans l’œuvre de Saïd Boutaïguine – étude du recueil « La Malédiction sur vous tous »

2026-01-07T07:28:07+00:00

This study aims to uncover the dialogism of satirical discourse in Saïd Boutajine's short stories, using the collection Damn You All as a model, to renew short story stylistics by deconstructing religious and political hegemonies.

It poses key questions: How does satire manifest dialogically? What is its relation to Bakhtinian polyphony and carnivalization? Does it expose the falsehood of dominant discourse?

The methodology employs Bakhtinian dialogism alongside narrative analysis of selected samples, tracking caricature and intertextuality.

It concludes that satire is a resistance strategy redistributing voices in favor of the marginalized intellectual.

Discours satirique et interactivité numérique : une étude analytique des publications d'Ali Maghazi sur la plateforme Facebook

2026-01-07T07:33:02+00:00

This article aims to present an analytical study of Ali Meghazi‘s publications on Facebook. The modes of communication and the literary productions witnessed radical changes due to the digital revolution and surpassing printed medium which limited the reach of literary works and restraints the interaction between the writer and his readers. Satirical writings has popular interactive engagement because of its harsh critical and humorous dimension, especially concerning the social and political context.

La réception linguistique de « L’Épître du Pardon » d’Abou-l-ʿAlâʾ al-Maʿarrî dans les études arabes contemporaines

2026-01-07T07:40:34+00:00

This study aims to examine the manner in which contemporary scholarship has approached the linguistic dimension of Risalat al-Ghofran by Abu al-ala' al-ma'arri. It undertakes an analytical review of two selected studies: the first addresses the lexical aspect, treating the word as a fundamental unit of meaning; while the second adopts a procedural framework on the role of contexts, interpretive gaps, and their contributions to meaning construction within the selected corpus.

La performativité des actes de langage dans le discours poétique de Qatari ibn al-Fuja'a

2026-01-07T07:48:50+00:00

This article seeks to study the performative acts of speech in the poetic discourse of Qatari Ibn Al-Fuja'ah , according to Searle's classification.

In our approach, we have resorted to pragmatic linguistics to reveal the poet's intentions and communicate his communicative purposes, which contributed to conveying his voice and expressing his various issues. At the end of the article, we conclude by identifying the most important speech acts that contributed to guiding the recipient and manifesting interaction, as well as the performative powers of the acts employed by the poet, which contributed to creating an impact and helped to persuade the addressee, revealing the poet's ability to influence and convey his energy.

Porosité générique et interdisciplinarité , les fondements d'une critique encyclopédique

2026-01-07T08:03:34+00:00

This study examines the concept of interdisciplinarity, tracing its origins and showing that Arab scholars practiced interdisciplinary methods long before the term existed. Using descriptive and analytical approaches, the research asks: What is interdisciplinarity? Why did it emerge? And what does it add to literary analysis? The study concludes that interdisciplinarity offers a clearer understanding of literary texts, expands critical perspectives beyond rigid specialization, and reveals that implicit interdisciplinary practices already existed in classical Arabic scholarship.

Le discours théâtral entre visées esthétiques et critiques

2026-01-07T08:08:53+00:00

This article aims to study theatrical discourse by examining the elements on which it relies in the process of realizing its artistic function from the angle of the formation of its own style, where it sorts its thematic data on the basis of the identity of the message it seeks to achieve in the process of communicating with actors and recipients at different levels and locations, since the process of forming this discourse requires the highlighting of its structural, technical and aesthetic components.

La nouvelle algérienne courte, sa nature et ses débuts, dans la perspective des critiques algériens

2026-01-07T08:40:03+00:00

The study explores the deployment of religion and myths in contemporary Algerian fiction as aesthetic mechanisms for critiquing crisis-ridden reality.

It adopts an analytical-comparative methodology to examine the integration of religious discourse and mythic heritage in selected novels.

Central questions address: How do religion and myth transform into narrative tools for resistance and critique? What are their aesthetic and symbolic functions in shaping fictional discourse?

The analysis focuses on the interplay between religious and mythic heritage, reconfiguring them as expressive devices for contemporary societal crises.

Les masques de l’Autre dans Les Cités de corail de Zahra Keshawi : le reflux historique et la question identitaire

2026-01-07T08:53:11+00:00

The study explores the historical mask technique in Zahra Kachawi's novel "Coral Cities," examining its role in shaping national identity and understanding the Other.

It employs an integrative methodology combining semiotics, reception theory, and cultural criticism to analyze narrative text and discourse.

Central questions address the historical mask's function (Victor Hugo character) in self-discovery and countering Orientalist narratives.

It highlights the dialectic of history and identity, embedded colonial schemata, and Occidentalism's deployment to expose the Other.

la stylistique moderne et sa relation avec la linguistique –approches d’influence et d’interaction

2026-01-07T09:13:17+00:00

The study investigates the dialectical relationship between modern stylistics and linguistics, highlighting linguistic concepts' impact on stylistic methodology formation

It adopts a descriptive-analytical approach comparing concepts (langue/parole, signifier/signified, paradigmatic/syntagmatic) and tracing generative grammar's influence on style analysis

Central questions address: How has stylistics appropriated linguistic outputs? What are the boundaries of convergence and divergence between the disciplines in literary text study?

les qestions de fond et de forme dans la poésie d’Ibn Battâl al-Andalusil

2026-01-07T09:27:08+00:00

This research aims to study the issues of content and form in the poetry of the jurist Ibn Batall al-Andalusi, defining him and bringing him from the veil of obscurity to the realm of existence, and answering important questions, most notably: Does the strict engagement in jurisprudence prevent the poet/jurist from expressing the musings of the soul and tender emotions? In addition, does it confine poetry to religious themes, or can it explore other horizons? Will his juristic mind and his involvement in the judiciary affect his poetic subjects and their artistic structure? To achieve this goal, the descriptive analytical method was followed.

L’impact du témoignage coranique dans l’orientation des thèmes de la philologiearabe (le modèle du Mushajjar dans le livre hajar al-Durr d’Abi al-Tayyib

2026-01-07T10:02:07+00:00

This research paper examines the impact of Quranic evidence on guiding the topics of Arabic philology, through the tree, which constitutes a unique style of Arabic authorship in this field. Our main focus is the book "Shajar al-Durr" by Abu al-Tayyib. As we delve into the depths of this topic, the question posed is as follows: Does the tree support the divisions of its meanings from the Quran? Or, to put it another way: Does the Holy Quran contribute to guiding this Arabic topic? We have adopted a descriptive approach to describe it, coupled with its relevant models for the intended purpose.

La différence de construction morphologique dans les lectures coraniques et son impact sur le changement de signification – étude appliquée sur des modèles coraniques

2026-01-07T10:18:13+00:00

This study attempts to draw a detailed picture of the impact of differences in morphological structure on determining the objectives of revelation in the Quranic context, based on the diversity of Quranic readings. The study also builds on the efforts of scholars of Quranic readings and ancient linguists in clarifying the concept of morphological structure, meaning, and Quranic readings, revealing the intimate relationship between them through, using a descriptive and analytical approach.

Les études interdisciplinaires et la fabrication du témoignage linguistique dans les dictionnaires historiques – le dictionnaire historique de Sharjah comme modèle

2026-01-07T11:14:56+00:00

This study aims to explore the role of interdisciplinary approaches in the construction of linguistic evidence within historical lexicography, using the Sharjah Historical Dictionary as a case study. It adopts an analytical methodology to offer a critical reading of the dictionary's corpus and textual sources. The research raises questions about the contribution of literary, historical, and linguistic perspectives to the development of evidence and their impact on the accuracy of linguistic historiography. It also investigates the criteria used for selecting and documenting linguistic citations in this emerging work.

modèles d’accès au lexique mental (étude analytique critique de la structure lexicale du manuel d’arabe de cinquième année primaire)

2026-01-07T12:56:39+00:00

The study analyzes the lexical structure of the Arabic language textbook for fifth-grade primary school (second generation), evaluating access models to the mental lexicon for enhancing linguistic competence.

It employs a descriptive-analytical methodology grounded in psycholinguistics and neurolinguistics, tracing sequential search, logogen, and cohort models in "Read and Understand" and "Enrich My Language" exercises.

Key issues probe the textbook's reliance on mental lexicon theory and the efficacy of definition strategies in perceiving and producing lexical units.

Analysis reveals how explanations and synonyms consolidate lexical stock, facilitating rapid retrieval and communicative deployment among learners.

Mécanismes de développement de la compétence linguistique chez les élèves de cinquième année primaire : réalité et perspectives

2026-01-07T13:06:21+00:00

This study seeks to uncover the mechanisms used to develop linguistic ability in fifth-grade primary school students, based on textbooks containing texts on listening comprehension and reading comprehension. The aim is to identify the most important mechanisms that enable students to acquire a linguistic vocabulary that constitutes a linguistic resource that will support them in their learning process, and to identify the obstacles that hinder students' linguistic development. The analytical approach was used to study the mechanisms of acquiring the skill through the textbook.

Les structures culturelles dans le roman L’Amour, la Fantasia d’Assia Djebar

2026-01-07T13:13:11+00:00

We aim through this research paper to uncover the deep structure of Assia Djebar’s novel “Love, Fantasia” by tracing the cultural patterns that remain hidden during the narrative yet guide its meanings. These include the religious pattern, the revolutionary pattern, the linguistic pattern, and the popular pattern. We relied on precise textual evidence and analyzed it in an attempt to reveal the extent of its connection to these patterns and its expression of them, while drawing on the views of critics who have addressed the concept of “pattern” in their readings, with the aim of uncovering the implicit ideological and cultural dimensions. Based on this, we sought to answer key questions, most notably: What are the dominant patterns in this novel? What is the purpose of using these patterns in the writing process? And how are the cultural patterns manifested in the novel?

Mécanismes de lutte contre la pollution de l’information dans l’environnement numérique – une étude analytique de la page « Mîsbar » sur Facebook

2026-01-07T12:26:13+00:00

The study aims to analyze the Misbar platform's mechanisms for combating information pollution in the digital environment through an analytical examination of its Facebook page posts.
It employs a descriptive survey methodology using content analysis on a purposive sample (36 posts from June 1-10, 2023).
Key questions focus on: the nature of polluted information topics, sources, and fabrication types, along with refutation methods and verification sources.

La réalité de la qualité de la recherche scientifique dans les établissements d’enseignement supérieur en Algérie : problématiques et défis d’application

2026-01-07T13:52:36+00:00

The study aims to explore the reality of scientific research quality in Algerian universities, identifying structural, organizational, and human challenges impeding it.

It adopts a descriptive-analytical methodology to conceptualize terms, define standards, analyze obstacles, and propose future prospects.

Central questions address: What constitutes scientific research quality and its criteria? What barriers confront Algerian universities? What efforts have been made to enhance it?

La réalité des familles algériennes dans la protection de leurs enfants contre les cybercrimes

2026-01-07T14:14:15+00:00

The study aims to analyze the roles of Algerian families in protecting children from cybercrimes within the context of widespread digital applications and platforms. It employs a descriptive approach using questionnaires administered to a purposive sample of 30 families from the 1006-housing district in Setif city during May-July 2025. The primary research question centers on: What roles do Algerian families perform to safeguard their children from cybercriminal activities? This encompasses secondary questions addressing methods used, means employed, and challenges encountered. Results demonstrate that families rely on monitoring, dialogue, awareness-raising, and moral values, yet lack modern technological tools and adequate community support.

Le roman Rīḥ al-Janūb (Vent du Sud) dans la perspective critique algérienne contemporaine : ‘Omar bin Qîna comme étude de cas

2026-01-07T19:42:27+00:00

The emergence of the novel in Algeria had a significant impact compared to the Arab world, especially in stimulating narrative activity in Algeria, particularly in the early seventies, the "construction and building phase," despite the scarcity of Algerian writers with an Arab orientation, among whom was Abdelhamid Ben Hadouga with his novel (South Wind), which is considered the real starting of the Arabic novel, as it addressed a sensitive period in Algerian history and attracted the attention of many critics, such as Omar Ibn Kina whoo took it as a space for Socio-cultural criticism and analysis.

L'esthétique de la convocation du texte littéraire absent, dans le dîwân Jinnî al-Jannatayn » d'Ibn al-Khallûf al-Qusantînî

2026-01-07T19:50:04+00:00

Based on the recognition of the inevitability of the overlap of the present text with the various absent texts, this descriptive and analytical study will attempt to take up the book “Geni Al-Janatin in praising the best of both sects” by Ibn Al-Khalouf Al- Qussantini as a model, which shows the most significant literary tributaries from which this poet took his ideas, and how to invest them in the construction of a new text On the other side, revealing the extent of his skill in preserving the entity of this text without identification or dissolution in the various literary texts it contains.

Les structures implicites du soi féminin marginalisé – lecture de l’expérience de ‘Â’isha bint Talha et Sukayna bint al-Husay

2026-01-07T20:00:08+00:00

This study excavates the implicit structures of the marginalized feminine self in historical narratives about Aisha bint Talha and Sukayna bint al-Husayn, renowned for their knowledge and eloquence despite the marginalization of their intellectual roles in favor of lineage and beauty.

It interrogates: To what extent did they assert their selves and challenge prevailing structures? What were the avenues of their rebellion? Is their experience pioneering for understanding the Muslim Arab woman's role?

The methodology adopts cultural criticism alongside analysis of their biographies and the Umayyad context, drawing on historical and literary sources.

It reveals their resistance to patriarchal norms through Aisha's autonomy and Sukayna's cultural salons, advocating a critical rereading of heritage

L’imbrication du culturel et de l’esthétique dans la poésie de la cause palestinienne – le poète Ady Ould Adib comme exemple

2026-01-07T20:08:20+00:00

This study aims to shed light on an important critical aspect related to the interplay of cultural and aesthetic systems in the poetry of the Palestinian cause within contemporary Mauritanian poetry, using the poet "Adi Ould Adab" as a model. Through his collection titled (Palestine: The Poem), it attempts to trace the centrality of these themes in his poetic texts and the underlying cultural systems that have infiltrated the poet's subconscious or, consciously, he has made the aesthetics of the creative texts a cover for them. The study also focuses on highlighting the role that these creative texts can play in the psyche of the recipient.

La signification de l’ironie dans la poésie algérienne contemporaine

2026-01-07T20:20:58+00:00

This study aims to analyze the significance of irony in contemporary Algerian poetry and how it is employed as an aesthetic and expressive tool to reveal human and social contradictions. The research employs a descriptive-analytical methodology, examining selected texts by Algerian poets and analyzing the patterns and contexts of irony within poetic structures. The main research questions are: What types of irony prevail in contemporary Algerian poetry? How does this irony reflect the poet’s perception of the world? And what is its effect on creating surprise and enjoyment for the reader? The study concludes that irony—especially verbal irony—is a pivotal tool in shaping and enriching the modern Algerian poetic scene.

l ’ironie comme mécanisme d’expression résistant aux récits de la mondialisation – une approche de critique culturelle du livre « Leurs cœurs sont avec nous et leurs bombes sur nous » d’Ahlam Mosteghanemi

2026-01-07T20:30:28+00:00

This study aims to expose how irony transforms from an aesthetic device into an intellectual resistance strategy that deconstructs globalization narratives and their falsified claims, dismantling the mythology of American democratic imperialism and peace-brokering rhetoric.

t interrogates: How can irony expose the contradictions inherent in globalization? How do its rhetorical mechanisms unveil the concealed dimensions of American hegemony? What role does satirical discourse play in liberating consciousness?

It employs cultural criticism alongside rhetorical analysis of Ahlam Mosteghanemi's "Their Hearts with Us and Their Bombs upon Us," mapping mechanisms of paradox, incongruity, wordplay, antithesis, and caricature.

t concludes that irony transcends mere humor to become cultural critique that dismantles the implicit intellectual and social structures embedded in globalization, fortifying the reader's consciousness against cultural penetration.

poème « Printemps de l’Algérie » de Badr Shâkir al-Sayyâb – une approche sémantique

2026-01-07T20:40:38+00:00

The study analyzes Badr Shakir al-Sayyab's poem "Spring of Algeria" semantically, elucidating the poetic experience of the Algerian Revolution.

It employs a systemic stylistic methodology, focusing on lexical structures (fields of sorrow, revolution, nature) and rhetorical devices (metonymy, metaphor, antithesis).

Central questions address the deployment of artistic tools for expressing emotional experience and free verse's capacity for semantic conveyance.

It highlights imagistic deviations and semantic relations (synonymy, antonymy) in meaning generation

Al-Muthaqqib al-‘Abdî et le jeu de la dissimulation sémantique dans le poème « Ô Fâtima, avant notre séparation, laisse-moi profiter » recherche sur les structures culturelles et les implicites du texte

2026-01-07T20:52:02+00:00

The study aims to elucidate the concealed cultural patterns in al-Muthaqab al-Abdi's poem "A-Faatim Qabla Baynki Matti'ini," extracting its semantic components.

It adopts cultural criticism methodology, identifying patterns (transcendent ego, expert traveler, rhetorical) within poet/power and poet/traveler dynamics.

Core issues focus on how patterns enable semantic concealment, intensifying meanings through allusion rather than declaration.

It deconstructs challenge, greed, geographic expertise, and faunal/floral knowledge as unconscious repressions.

l’Histoire et les mécanismes de son exploitation dans le roman La Maison andalouse de Wasinî al-A‘raj

2026-01-07T21:01:04+00:00

This article aims to revealing events included in the novel El beit El Andalousi, and the objectives of it, in addition to the narrative techniques employed by the writer. As to mythology, the work began with the manner a historical text was included in narrative, revealing the real facts used in it, in addition to the manner of introducing characteristics. The objective of these techniques is to answer the following: did the writer succeed in his approach?

l’esthétique de la déviation dans le poème « Arrête-toi un instant », de Tamim al-Barghouti

2026-01-07T21:11:31+00:00

This paper investigates the aesthetics of deviation in Tamim al-Barghouti's poem "Qifi Sa'a," highlighting its role in enriching the poetic experience and enhancing recipient response

It follows a stylistic methodology to identify semantic deviations (simile, metaphor, metonymy) and syntactic ones (fronting, deletion, repetition).

Core questions include: How did deviation shape the poem's aesthetic structure? What are its stylistic and rhetorical functions in expressing Arab tragedies?

la poétique du blanc et du noir dans la nouvelle contemporaine : une approche sémiotique du recueil « Elle et la mer

2026-01-07T21:18:40+00:00

This study examines the aesthetic and semantic dimensions of the textual void in She and the Sea, viewing it as an active agent in meaning construction. Using a semiotic framework enriched by an interpretive approach, it analyzes visual and linguistic signs and their influence on narrative rhythm and structure. It asks: How do silence and white space shape meaning? What roles do textual interruptions and punctuation marks play? To what extent can the void function as a parallel interpretive space to the written text?

L’expérimentation dans la poésie arabe contemporaine – modèles sélectionnés

2026-01-07T21:26:05+00:00

This study aims to explore contemporary Arabic poetic methods and styles through the new experiences of contemporary poets. We have divided it into three important aspects: In the first, we presented the nature of experimentation in terms of language and terminology. In the second, we addressed experimentation at the level of form. As for the third aspect, we devoted it to thematic experimentation.

le discours de la crise / de l’épreuve nationale, dans le roman algérien contemporain : du réel à la fiction, de l’idée à l’exploitation (lecture descriptive du corpus romanesque entre la crise du réel et la violence du discours)

2026-01-07T21:32:48+00:00

The study tracks the discourse of national crisis/ordeal in contemporary Algerian fiction, from the Black Decade's reality to narrative imagination.

It employs a descriptive methodology, deconstructing terminological issues (oreal novel, Black Decade, hasty novel) and analyzing manifestations in works by Wat'ar, al-A'raj, and Bougdoura.

Central questions probe the transition from degraded reality to fragile fiction, and experimentation's role against tragic immediacy.

It highlights characteristics: multilingualism, violence recurrence, imaginative fragility, and narrative rebellion.