Seeing history in the modern Maghreb novel An applied approach to intertextuality

Abstract

This study deals with the presence of history in the contemporary North African novel; it is made up of a theoretical foundation on the literary phenomenon in general, literary texts, and the artistic and aesthetic standards of creation, in addition to the personality of the artist, the writing, the relationship of the text with the receiver , and the presence of history at the bottom of the romantic text.

It also aims to determine the relationship of the story with the narrative structure of Maghrebi novelistic discourse; through selected examples.

This relationship represents the essence of the study, and it includes two main elements:

-the information function: which determines the aesthetic function of the story in its relationship with the romantic text.

- the narrative structure: aims to study the effect of the story on the fictional text, either on the discourse side, or on the aesthetic artistic side.

This study ends with a conclusion that summarizes the important results.