Artistry Correlation Contemporary Textual Construction, the Authority of the Presence of the Beginning and the Signs of the End

Abstract

This article studies what is contained in contemporary Arabic poetry, especially the Nizari poem, from linguistic clues and semantic loads that intensified the authority of the main beginning presence (the title), and its connection with the beginnings of the texts (their beginnings, their openings), and its endings (conclusions). This generated coalition relationships between these partial articulations, until it was built on an artistic structure with a distinct and unique regular network that gave the Arabic poem, in general, a focused formative value, and an indicative sign layout. This gave formation and demonstration dynamism and effectiveness as a result of the relationships worked on (the main beginning -the title - with the beginnings of the texts and their ends). We can describe it as a three-dimensional art construction.