Description et hybridation du genre dans le roman algérien contemporain : étude de cas « Les Doigts de Lolita » de Waciny Laredj
Mots-clés :
experimental and hybridization, description poetry, painting and cinema, The Fingers of LolitaRésumé
The study aims to uncover descriptive mechanisms in Waciny Laredj's novel "The Fingers of Lolita" as channels for hybridizing the novelistic genre with poetry, painting, and cinema, constructing a polyphonic narrative universe.
It employs a descriptive-analytical methodology, tracing descriptive borrowings from poetry (rhythm, metaphor), painting (light/shadow), and cinema (shot, framing).
Central questions address description's position within the novelistic text and how it appropriates poetry's rhetorical tools and painting's pictorial techniques to represent worlds and characters.
It also examines cinema techniques' exploitation in focalization and effects to achieve experimentation and divergence from traditional novelistic forms.